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Soundside profiles captures each amp as close as possible. Various volume / drive settings, channels and amp options were profiled.
We carefully selected the best sounding speaker, microphones, microphone position and preamp combinations.

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Pack Profiled Amp* Seeking to re-create the sound of... * Profiles Audio clips
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72 Ultimate Friedamp
Seeking to re-create the sound of a Friedman® PT Amplifier.

Killer British Boutique Rock sounds - from soft overdrive to full blast - from a single channel handwired tube amp.

We used a 4x12" Elmwood® cabinet loaded with V30 speakers.

Shure® SM57 and Royer® R121 dual miced
Additional all profiles with a single Royer® R121 miced
Chandler Limited® TG-2 Mic Preamp
24
71 JP Signature
Seeking to re-create the sound of a Mesa Boogie® JP2C via a 4x12" cabinet.

Recording Pack with the JP signature settings
3 mic's in 5 different mic setups - incl. JP signature setup

Shure® KSM 313, Shure® SM57, Royer® R121
Chandler Limited® TG-2 Mic Preamp
20
70 Screaming Metal
Recording Pack - 4 different screamer pedals with a lot of settings used.
Seeking to re-create the sound of a Mesa Boogie® Rectifier via a 4x12" cabinet.

Vintage Ibanez® Tube Screamer TS9
Mesa Boogie® Grid Slammer
Why Huge® Overrated Special
KHDK® Ghoul Screamer Overdrive

Shure® SM57 and Chandler Limited® TG-2 Mic Preamp
32
 (Tiago Rio)
69 Hugh 3 Amps
Seeking to re-create the sound of a Hughes & Kettner® Triamp Mark 3 via a 4x12" cabinet.
A killer 6 channel amp with so many great sounds.

Royer® R121 and Chandler Limited® TG-2 Mic Preamp
43
 (Tiago Rio)
68 Ferndale Super Son
Seeking to re-create the sound of a Fender® Super Sonic Amplifier.

Royer® R121 and Chandler Limited® TG-2 Mic Preamp
11
67 Solo
Seeking to re-create the sound of a Soldano® Hot Rod 50 Plus Amplifier via a 4x12" cabinet.

Royer® R121 and Chandler Limited® TG-2 Mic Preamp
25

 (Gerald Samel)
66 Eddy
Seeking to re-create the sound of a EVH® 5150 III Amplifier with the matching cabinet.

Royer® R121 and Chandler Limited® TG-2 Mic Preamp
27
 (Tiago Rio)

 (Guenter Haas)
65 Rand Devil
Seeking to re-create the sound of a Randall® Satan Amplifier.

Killer amp with unique gain knobs
Elmwood® 4x12" V30
Royer® R121 or Shure® SM57 profiles.
Chandler Limited® TG-2 Mic Preamp
34
 (Tiago Rio)
64 1954 Ferndale Prince
Seeking to re-create the sound of a 1954 Fender® Princeton Amplifier.

Small amp huge tone
6.5" Vintage Jensen speaker
Royer® R121
Chandler Limited® TG-2 Mic Preamp
13

 (Guenter Haas)
63 1958 Ferndale Vibro
Seeking to re-create the sound of a 1958 Fender® Vibrolux Amplifier.

One of the best amps for great American clean tones
10" Vintage Jensen speaker
Royer® R121
Chandler Limited® TG-2 Mic Preamp
20

 (Guenter Haas)
62 1972 Ferndale Prince Reverb
Seeking to re-create the sound of a 1972 Fender® Princeton Reverb Amplifier.

Great American clean and typically dirty distortion sounds
10" Vintage Fender speaker
Shure® SM7B
Chandler Limited® TG-2 Mic Preamp
14

 (Guenter Haas)
61 Angel Inv II
Seeking to re-create the sound of a ENGL Invader II Amplifier.

Killer 4 channel amp - all switchable between a HI or Low Gain mode plus a "Sound" switch that changes the character per channel
4x12" Vintage 30 cabinet
Royer® R121 & Shure® SM57 and Shure® SM57 only profiles.
Chandler Limited® TG-2 Mic Preamp
42


 (Tiago Rio)
60 Fcuks Overdrive
Seeking to re-create the sound of a Fuchs® ODS 100 Amplifier.

Great D-Style sounds clean and overdriven
Jazz,Rock,Brite,Deep,Mid, Boost switches profiled
Thiele® cabinet, Electro Voice® EVM 12L speaker
Royer® R121
Chandler Limited® TG-2 Mic Preamp
Raw profiles and specials for LesPaul® and Strat®
30
 (Strat®)
 (LesPaul®)
59 Cat hand-wired 6V6
Seeking to re-create the sound of a Bad Cat® hand-wired 6V6 Judah Amplifier.

2 channel amp with two totally different preamps
Preamp tubes: CH1=12AX7, CH2=EF86
Kammler® Turnator Cabinet - Celestion® Alnico Gold speaker.
Royer® R121 & Rode® NT-1000
Chandler Limited® TG-2 Mic Preamp
27
58 Recording Pack: Rock
Seeking to re-create the sound of a Friedman® BrownEye Sound 'British-Style' Amplifier.

2 Amp Settings (Gain4 / Gain8)
Elmwood® 4x12" Vintage 30
Marshall® 2x12" Creamback
Royer® R121 & Rode® NT-1000
5 Mic Settups for each Amp Setting
Chandler Limited® TG-2 Mic Preamp
20
57 Recording Pack: Metal II
Seeking to re-create the sound of a Mesa Boogie® Rectifier Ch2 (Modern) Amplifier.

Elmwood® 4x12" Vintage 30
Shure® SM57 (3 selectable mic positions)
Optional Royer® R121
Optional Palmer® PDI 09 Speaker Simulator
Optional Vintage Ibanez® Tube Screamer TS9
22

 (Tiago Rio)
56 Friedamp Pink
Seeking to re-create the sound of a Friedman® Pink Taco Amplifier.

Killer British Boutique Rock sounds - from soft overdrive to full blast - from a single channel handwired tube amp.
We used a 2x12" Marshall® cabinet loaded with Creamback speakers.
15

 (C. Medeiros)
55 Suur Bad
Seeking to re-create the sound of a Suhr® Badger 30 Amplifier.

Clean and overdriven sounds from a single channel boutique amp with EL34 power tubes.
We used an Elmwood® cabinet loaded with V30 speakers.
21
54 Recording Pack: Blues
Seeking to re-create the sound of a Fuchs Audio Technology® 'D-Style' Tube Amp Amplifier.

Kammler® Turnator Cabinet - Celestion® Alnico Gold
Royer® R121 & Rode® NT-1000
Chandler Limited® TG-2 Mic Preamp
2 Clean and 3 Overdrive Amp Settings
5 Mic Settups for each Amp Setting
25


 (Guenter Haas)
53 Recording Pack: Metal I
Seeking to re-create the sound of a Mesa Boogie® Rectifier Ch2 (Vintage) Amplifier.

Elmwood 4x12" Vintage 30
Shure® SM57 (3 selectable mic positions)
Optional Royer® R121
Optional Palmer® PDI 09 Speaker Simulator
Optional Vintage Ibanez® Tube Screamer TS9
22

 (Tiago Rio)
52 UKGold 1964
Seeking to re-create the sound of a Marshall® CS JTM145 1964 Amplifier.

Custom Shop - One channel amp - Made for Andertons® 50th Anniversary
Limited edition - only 200 amp's worldwide
Killer Blues and Rock tone
Dual miked via an Alnico speaker cabinet.
10


 (H. Heinemann)
51 Lanie 100
Seeking to re-create the sound of a Laney® LI100 Amplifier.

Signature amp from Tony Iommi (Black Sabbath) - signature settings included.
Killer metal tones out of 8(!) preamp and 4 6L6 power amp tubes.
Dual miked via a 4x12" cabinet.
44

50 Tone Sky
Seeking to re-create the sound of a Tone King® Skyking Amplifier.

This is a handwired boutique USA tube amp with one of the best clean and slightly overdriven tones ever.
The amp covers all flavors of American Tweed and Blackface as well as early Bristish amp tones - and a lot more.
Scumback® M75/8/65LD 1x12" speaker was used.
36


 (S. Birkmeyer)
49 Fcuks Black 21
Seeking to re-create the sound of a Fuchs® Black Jack 21 MK II Amplifier.

From American clean to Overdrive Special and more.
This is one of the most dynamic amps available.
Elmwood® 4x12" cabinet was used.
28

 (Guenter Haas)
48 Angel Power II
Seeking to re-create the sound of a ENGL® Powerball II Amplifier.

The well known metal monster via a large 4x12" V30 cabinet.
From clean to ultra distorted all channels and switches profiled.
44

 (Tiago Rio)

 (Magnus M.)
47 Ferndale Vibro
Seeking to re-create the sound of a Fender® Vibrolux Amplifier.

Fender® clean! And cranked Fender® power tube distortion.
This amp has two 10" Jensen® speakers inbuilt
15

 (S. Birkmeyer)
46 Boneger Gold 45
Seeking to re-create the sound of a Bogner® Goldfinger 45 Amplifier.

From clean to cranked - perfect tone.
We used a cabinet loaded with Creamback speakers.
40


 (Guenter Haas)
45 Egghead Tweak 88
Seeking to re-create the sound of a Egnater® Tweaker 88 Amplifier.

Two channel extremely versatile amp (KT88 power tubes).
A 4x12" Vintage 30 cabinet was used.
29

 (Guenter Haas)
44 Boneger XTC
Seeking to re-create the sound of a Bogner® Ecstasy Blue Preamp Amplifier.

The Bogner® Ecstary Blue Preamp via a Marshall® 4 x EL34 power amp.
Ecstasy 100, 101 and 20th anniversary structure.
23
43 Suur Bad
Seeking to re-create the sound of a Suhr® Badger 30 Amplifier.

Clean and overdriven sounds from a single channel boutique amp with EL34 power tubes.
We used a Marshall® cabinet loaded with Creamback speakers.
17

 (Guenter Haas)

 (Tiago Rio)
42 Buddy Supergain
Seeking to re-create the sound of a Budda® Superdrive Series II V40 Amplifier.

Two channel boutique amp for great clean and overdiven sounds (6V6 power tubes).
A 4x12" Vintage 30 cabinet was used.
26

 (Guenter Haas)
41 Angel RB Signature
Seeking to re-create the sound of a ENGL® E650 RB Signature Amplifier.

Great German amp not only for 'Smoking Water'.
4x12" Vintage 30 cabinet.
55


 (Tiago Rio)
40 UKGold 2000
Seeking to re-create the sound of a Marshall® JCM2000 Amplifier.

Great 100 Watt classic and hot rodded Marshall® sounds.
We used our new Creamback cabinet.
53

39 65' Ferndale Prince
Seeking to re-create the sound of a 65' Fender® Princeton Amplifier.

12'' Jensen® speaker. Great clean & overdrive tone.
Pure and with additional TubeScreamer and Mesa Boogie® pedals.
26

 (Guenter Haas)
38 Yama D
Seeking to re-create the sound of a Yamaha® DG-1000 Amplifier.

The famous 8 channel Yamaha® preamp - via a Marshall® cabinet with Creamback speakers.
31
37 G-Benz Black
Seeking to re-create the sound of a Genz Benz® Black Pearl 30 Amplifier.

12'' Eminence® Red Fang Alnico speaker
Great class A sounds from clean to cranked
30

 (Guenter Haas)
36 1952 Ferndale Lux
Seeking to re-create the sound of a 1952 Fender® Deluxe Amplifier.

Model 5B3, dated 1952 with a 12'' Jensen® speaker far miked
THE famous blues and rock amp.
(modded for even better sound)
27

 (Brian Hill)
35 UKGold 1959 HW
Seeking to re-create the sound of a Marshall® JMP 1959 HW Amplifier.

The JMP is a handwired Marshall® Plexi amp.
This is the classic full blown Marshall® sound
For this pack did we use our great sounding 4x12" V30 cabinet
43


 (Guenter Haas)

 (Onsdagsbandet)
34 UKGold 1959 HW (Dark)
Seeking to re-create the sound of a Marshall® JMP 1959 HW (Dark) Amplifier.

The JMP is a handwired Marshall® Plexi amp.
Here is the classic full blown Marshall® sound
This pack is only recommended for very bright guitars - use Pack#35 for normal guitars.
24


 (Brian Hill)
33 UKGold 4 Channel (Dark)
Seeking to re-create the sound of a Marshall® JVM 410H (Dark) Amplifier.

The JVM410H is a collection of Marshall® amplifiers in one amp.
There are 4 channels and 12 modes to get the all form classic Marshall® and hot rodded Marshall® up to new high gain sounds.
This pack is only recommended for very bright guitars - use Pack#5 for normal guitars.
33


 (M. Binetruy)
32 MyBoogie Lonely 4x12"
Seeking to re-create the sound of a Mesa Boogie® Lonestar Special 4x12" Amplifier.

This is a true (hot and fan cooled) Class A amp - and the sound is also VERY hot. For this pack we profiled the amp via a 4x12" V30 cabinet.
30

 (Tiago Rio)
31 Tech Noamp
Seeking to re-create the sound of a Tech21® Sansamp PSA 1.1 Amplifier.

All 48 presets and more profiled for the KPA. The famous analogue modeling for great sounds from clean to high gain.
55

30 MyBoogie Road
Seeking to re-create the sound of a Mesa Boogie® Roadster Amplifier.

All 4 channels profiled, 4x12" V30 cabinet used. (Clean, Fat, Tweed, Brit, Raw, Vintage, Modern)
50

 (Nick Leweux)
29 DieFuel H4
Seeking to re-create the sound of a Diezel® VH4 Amplifier.

100Watt KT88 power via 4x12" V30 speakers.
The Diezel® comes equipped with 4 different and totally independent preamps great for all musical styles. The preamps are voiced to deliver the 4 most wanted guitar tone flavors: 1-Clean, 2-Crunch, 3-Heavy and 4-Lead.
121

 (Guenter Haas)

 (Nick Leweux)
28 MyBoogie V
Seeking to re-create the sound of a Mesa Boogie® MKV Amplifier.

All 3 modes of the HEAVY channel via a 4x12" V30 cabinet.
Mark IIC+, Mark IV and Extrem-Mode.
37

 (A. Doyle)
27 Elmwool Modern
Seeking to re-create the sound of a Elmwood® Modena M60 Amplifier.

Sweet sounds from Heaven to Hell.
We profiled this amp with the matching Elmwood® 4x12" cabinet and Rode microphone.
25

26 MyBoogie Rect
Seeking to re-create the sound of a Mesa Boogie® Rectifier Amplifier.

This are the famous high gain and Metal sounds.
We profiled this amp with Elmwood® and MesaMesa Boogie® cabinets (miked with SM57 and Royer® R121).
79


 (Guenter Haas)
25 Color Dark Heavy
Seeking to re-create the sound of a Orange® Dark Terror Amplifier.

This is a very versatile amp for all kinds of high gain and Metal sounds. The unique tone Shape control can be used to boost frequencies as well as to scoop the mid's.
We profiled this amp with Elmwood® and MesaMesa Boogie® cabinets (miked with SM57 and Royer® R121).
69

 (Arthur Dantas)
24 Cook® Studio far miked
Seeking to re-create the sound of a Koch® Studiotone far miked Amplifier.

EL84 power tubes in Class A, three channels and two powerful voicing switches.
This is a very versatile amp for studio use as well as for small gigs. We far miked the inbuilt 12" speaker.
25

 (S. Birkmeyer)
23 Hugh Nobleman
Seeking to re-create the sound of a Hughes & Kettner® Statesman Amplifier.

This amp features two channels with additional options (Clean & Twang) and (Overdrive & Boost) to create all kinds of great tones.
35

 (Guenter Haas)
22 Rola via MyBoogie Speaker
Seeking to re-create the sound of a Roland® via Mesa Boogie® Speaker Amplifier.

Here are profiles of a Roland® Micro Cube via a Mesa Boogie® cabinet.
This strange combination of a $100 amp and additional gear for about $2000 creates this great sounds.
13
21 1964 Ferndale Blackface
Seeking to re-create the sound of a 1964 Fender® Blackface Concert Amplifier.

Model AB763, dated 1964 with 4x10" speakers.
This old Fender® amp is known for famous classic rock and blues sounds.
We profiled this gem with various settings - far miked - to capture the full sound.
27

 (S. Birkmeyer)
20 Overdrive & Blackface
Seeking to re-create the sound of a 1964 Fender® Blackface Concert Amplifier and some great stomp boxes

This old Fender® amp just loves Stomp Boxes and this combination is known for famous classic rock and blues sounds.
Used Stomp Boxes: Vintage Ibanez® TS9 and Okko® Diablo Plus.
21
19 Distortion & Blackface
Seeking to re-create the sound of a 1964 Fender® Blackface Concert Amplifier and some great stomp boxes

This old Fender® amp just loves Stomp Boxes and creates great heavy, classic rock and blues sounds.
Used Stomp Boxes: MI Effects® Crunch Box and Zvex® Box of Rock.
41
18 UKGold Acoustic Amp
Seeking to re-create the sound of a Marshall® Acoustic Amp, model AS50R Soloist Amplifier.

This amp sounds great for all kinds of acoustic guitars.
22

 (S. Birkmeyer)
17 1952 Ferndale Lux
Seeking to re-create the sound of a 1952 Fender® Deluxe Amplifier.

Model 5B3, dated 1952 with a 12'' Jensen® speaker far miked (all original)
THE famous blues and rock amp.
16


 (Will Chen)
16 1957 Ferndale University
Seeking to re-create the sound of a 1957 Fender® Harvard Amplifier.

Model 5F10, dated 1957 with a 10'' Jensen® speaker far miked.
This amp is famous for it's great clean and crunch tone (small amp great tone).
25

 (Guenter Haas)
15 M-Bass Bass Guitar Amp
Seeking to re-create the sound of a Mark Bass® F1 Bass Guitar Amp Amplifier.

Great profiles for bass guitars - some are great for clean guitar sounds as well.
Single settings and great combinations of VLE = Vintage Laudspeaker Emulation and VPF = Variable Pre-shape Filter.
36

 (Guenter Haas)
14 1954 Ferndale Professional
Seeking to re-create the sound of a 1954 Fender® ProAmp Amplifier.

Model 5C5, dated June 1954 with a 15'' Jensen® Concert speaker (original cone).
This amp is famous for it's great clean and crunch tone.
51

 (S. Birkmeyer)
13 Overdrive & Tweed
Seeking to re-create the sound of a Vintage Ibanez® TS9, Ibanez® TS808 HW, Okko® Diablo Plus and Zendrive before a vintage 1954 Fender® Tweed ProAmp.
15
12 UKRox 30
Seeking to re-create the sound of a Vox® AC 30 TB Amplifier.

This is a Vox® AC30 TB with 2x12" Vox® Blue Bulldog speakers.
This amp is famous for it's great clean and crunch tone.
We profiled both normal and top boost channels.
17

 (Guenter Haas)
11 Ferndale 59 Bassguy
Seeking to re-create the sound of a Fender® 59 Bassman Amplifier.

This is a Fender® 59 Bassman with 4x10" Jensen® speakers - the mother of all guitar tube amps.
16

 (S. Birkmeyer)
10 Ferndale Young Blues Limited
Seeking to re-create the sound of a Fender® Blues Junior Limited Amplifier.

This is a Fender® Limited Edition of the Blues Junior Amp (12" Jensen® speaker).
This amp can produce all between clean and fat lead tones.
24

 (Guenter Haas)
09 High Gain Tube Stomp Profiles
Seeking to re-create the sound of a Damage Control® Womanizer, Demonizer and Blackstar®

This box was build to create the famous warm 'Woman-Tone' - while the Demonizer is for high gain sounds. The Blackstar® tube pedal is built for classic UK rock sounds.
28

 (Guenter Haas)
08 MyBoogie V Combo
Seeking to re-create the sound of a Mesa Boogie® MKV Combo Amplifier.

The Mark V is a collection of amplifiers in one amp.
There are channels and modes to get the classic Mark 1, Mark IIC+, Mark IV Mesa Boogie® sounds as well as classic American clean (ch1) and British distortion sounds (ch2).
77

 (Will Chen)
07 Cook Studio DI
Seeking to re-create the sound of a Koch® Studiotone DI Amplifier.

EL84 power tubes in Class A, three channels and two powerful voicing switches.
This is a very versatile amp for studio use here with the famous inbuilt speaker simulator.
31

 (Guenter Haas)
06 Elmwool Modern
Seeking to re-create the sound of a Elmwood® Modena M60 Amplifier.

The M60 MODENA is a 60 watt pure tube amp with two channels including separate EQ on each channel and with boost functionality on both channels.
The M60 can create great clean, crunch and high gain sounds. We used this amp with the Elmwood® 4x12" cabinet with V30 speakers.
22


 (Glenn Burgos)
05 UKGold 410
Seeking to re-create the sound of a Marshall® JVM 410H Amplifier.

The JVM410h is a collection of Marshall® amplifiers in one amp.
There are 4 channels and 12 modes to get the all form classic Marshall® and hot rodded Marshall® up to new high gain sounds.
Ch1 American Clean & Crunch
Ch2 JTM45/1959 Plexi / JCM800 2203 / hot-rodded JCM800
Ch3/4 Hot-rodded JCM800* / new high gain sounds
A Marshall® cab with Vintage 30 speakers was used.
36


 (Guenter Haas)
04 MyBoogie Lonely
Seeking to re-create the sound of a Mesa Boogie® Lonestar Special Amplifier.

This is a true (hot and fan cooled) Class A amp - and the sound is also VERY hot. We profiled the big 2x12" version.
30

 (Guenter Haas)
03 57' Ferndale Lux
Seeking to re-create the sound of a 57' Fender® Deluxe Amplifier.

The Fender® '57 Deluxe Combo Amp is a 12W hand-wired tube amplifier with a 12" Jensen® speaker.
Low settings of the "chicken head" volume control result in harmonically rich clean sound perfect for authentic vintage rock, blues, and country playing; when cranked up, the Deluxe amp's fat, compressed, wildly distorted tone is not only inspiring, but just plain fun.
22

 (Guenter Haas)

 (David Krasucki)
02 F-Audio Axe II
Seeking to re-create the sound of a Fractal Audio® AxeFx II.

The Fractal Audio® AxeFx II is regarded as the world's best digital amp modeler.
Here is a collection of some AxeFX II amp tones profiled with the KPA.
We profiled all the basic amp presets #00-#41 - included are models of some very rare amps. In addition did we profile some of our AxeFx II favorit presets.
49
01 Body resonances of various instruments
This set of profiles was created to let an electric guitar sound like an acoustic instrument.
But it works also to improve the sounds of a real acoustic guitar and some users reported they even use it for bass guitar. For this we provide some body resonances of various acoustic instruments - and created some great sounding KPA rigs.
16
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All about ShareIt (our ordering provider) can be found here: ShareIt Order FAQ
If you select more than one Profile Pack you automatically create a Custom Bundle and save on the second and additional packs.

Note:
The additional item 'CustomBundle' in your cart is needed to get the reduced price.
Regular Pack:
The amp was profiled with ONE mic setup and MANY different amplifier settings.
We carefully select a great sounding mic combination/position and capture the many sounds (clean to cranked) of the amp as close as possible.

Recording Pack:
Recording Pack's features ONE (or a few) amp setting(s) and MANY different mic's / mic setups or stomp boxes.
By selecting the profiles you virtually select one or more microphones or change mic placement or add e.g. a TubeScreamer®.
(Features may differ from pack to pack)
As soon as you go to the ordering pages (by clicking on 'Purchase') will all $ prices converted into the final prices (local currency).

This will be done by ShareIt (our reseller).

If you prefer the exchange rate from your local bank / credit card company select $ as currency.
All about orders, payment, delivery, security ...  (click here)
In order to use these profiles you need a Kemper® Profiling Amp (KPA).
You can freely use all profiles to create any kind of music, soundtracks or even #1 hits.
We do not sell profiles - only a personal licence to use them - as with similar products - it's not allowed to share the profiles, any part of them or any 'new' rigs derived from our profiles.
It's not allowed to use our profiles for any other service as to create your own music - e.g. it's not allowed to rent profiles, offer reamping services or convert our profiles into other formats.
All pictures Copyright (c) by Armin Heinrich - Colorpixel.de
Kemper®, KPA and Kemper® Profiling Amp are registered trademarks of the Kemper® Corporation

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These trademarks are used solely for the purpose of describing certain amplifier or speaker tones trying to produce with our profile packs
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